FULL MOON PRINT EDITION

FULL MOON PRINT EDITION SIZES /AVAILABILITY

All prints are digital c-prints; prices refer to initial prices of edition and escalate as sales of an image accrue. Client pays for shipping of work.

IMAGE NUMBERS REFER TO CAPTION KEY AT REAR OF BOOK AND WEBSITE GALLERY

24.5"x24.5" Hasselblad images (Base retail $2500, edition 50): all image numbers not noted below; odd size: 105 (24.5"x21.25"). IMAGE #30 SOLD OUT.

39.5"x39.5" Metric Mapping images (Base retail $4000, edition 50): 24, 25, 26, 27, 34, 35, 36, 37, 38, 39, 40, 107, 109

48"x96" Panoramic Compositeimages (Base retail $7500, edition 25): 71, 82, 84; odd sizes: 64 (48"x93"), 24 (48"x86" SOLD OUT), 86 (48"x84.5")

48"x144" Panoramic Compositeimages (Base retail $10000, edition 25): 79

48"x192" Panoramic Compositeimages (twin 48"x96" panels) (Base retail $12,000, edition 25): 67, 90, 94 (also available as 48"x288"), 129 (not in book)

48"x288" Panoramic Compositeimages (twin 48"x144" panels) (Base retail $16000, edition 25): 94 (also available as 48"x192")

Black-and-White Images: 23, 24, 25, 26, 27, 28, 30, 31, 32, 33, 34, 35, 36, 37, 38, 39, 40, 41, 44, 45, 49, 52, 54, 59, 60, 61, 62, 63, 66, 68, 69, 70, 71, 72, 73, 74, 75, 76, 77, 78, 79, 80, 81, 83, 84, 85, 87, 90, 91, 92, 95, 97, 98, 108, 109, 128, 129

Not Available: Book coverboards, rocket blast imagery that opens book, 29, 102, 127

39.5"x39.5" and 24.5"x24.5" prints are mounted on four-ply archival museum board. 48"x96" and larger images are shipped unmounted and unframed; artist requires that his mounting and framing procedures be followed for such images. Framing and mounting suggestions/requirements will be provided, and an archival signed and editioned label for the substrate verso of larger composite imagery will be provided by the artist.

Digital printing requires the use of color-coupler photographic paper for all images, whether the originals are scans of black and white negatives or color transparencies. All FULL MOON prints are printed on Fuji Crystal Archive color-coupler paper, the most permanent and stable of such papers. However, any color-coupler print should be treated with extreme care in relation to exposure to sunlight, both direct and indirect, as the dyes used to make it are subject to fading and are much less stable than the silver grains in a traditional black and white print. It is essential that the prints be framed with UV-filtering glass or plexiglass to protect them. Collector accepts the inherent fragility of color-coupler prints and that in no case shall Michael Light be liable for their fading over time.